Illustration by Vanilla.Specially made for the latest issue's feature article "Accent Trilogy: Like Dew, or a Lightning".
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It’s best to get the fact that Tobias Wong died on Sunday, May 30th of this year out of the way immediately. He was 35. Wong’s burgeoning career began as a precociously incisive graduate student at Cooper Union when he ganked a new armchair from no less a design luminary than Philippe Starck. He turned the chair into a lamp…

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Whereas those we have previously interviewed for the “My Miles” column may be called “busy,” perhaps it’s more appropriate to describe Cui Xiuwen as “diligent”—she won’t even allow herself a vacation. As soon as we step foot into her Feijiacun studio, she immediately invites us to take a look at her latest work in progress. She persists in asking our impression of…

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[portfolio_slideshow timeout=7000 exclude = “4026”] Online apparel retailer VANCL launched in 2007; by the end of 2009, it had 800 employees and annual revenues of RMB 2.4 billion. Ranked the fastest-growing tech company in China after expanding by 29,756% in its first three years, VANCL’s 2012 revenues are forecast at some RMB 18 billion. Clearly it was time for…

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The history of the Glass House museum begins with its designer Philip Johnson, an influential American modernist architect born in 1906. Following trips throughout Europe in his youth, Johnson drew inspiration from the icons of architectural history as well as the burgeoning modernist architectural movements in Germany and France in the 1920s. After completing his education at Harvard’s Graduate School of Design,…

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“My University (1990-2010): Liu Dahong and the Shuangbai Studio” opened on June 20, 2010 at Iberia Center for Contemporary Art in Beijing. Liu Dahong, artist, professor, and director of the Shuangbai Studio, graduated in 1985 from the Oil Painting Department of Zhejiang Academy of Fine Arts, and has served as an instructor at Shanghai Normal University for the…

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The self is fraught these days, but particularly so in Shenzhen, a city with no history—or only thirty years of it, as the saying goes. It is a concrete sprawl of flash developments and relaxed economic regulations, brimming with migrants who pass through loose borders looking for fast money. Every one of Shenzhen’s nearly nine million inhabitants comes from someplace, yet…

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