Nadim Abbas, in his first complete solo exhibition, brilliantly composes a scene that so resists interpretation that the viewer defaults into passive observation, submitting to a flaccid presentation of spectacle in the absence of any plausible guiding narrative. Several of the artist’s earlier projects fall into the category of conceptual assemblage, consisting of fragments of…
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REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
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