Illustration by Vanilla.Specially made for the latest issue's feature article "Accent Trilogy: Like Dew, or a Lightning".
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Just as the “happiness index” was becoming a hot topic leading up to this year’s National People’s Congress, Son Il Kwon’s solo exhibition, “On Happiness,” opened at Three Shadows. His own understanding of happiness is projected through the eyes and faces of his subjects, the juxtaposition of portrait and landscape. The works on display largely…

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Ten years have gone by since we first caught a glimpse of Zhang Enli’s early still-lifes. Amidst the turbulent waves of the past decade, Zhang’s paintings have served as a kind of placid calm. At a time when more and more painters have become eager to penetrate the canvas with a social gaze, Zhang continues…

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Zhang Quan is in constant pursuit of the possibility of agreement among ink painting, its contemporary context, and everyday experience. He is one in a long line of artists to pursue this path of reinventing the ink context. The theme of this solo exhibition is “Infinity in Mist”—a phrase that captures the mood and content…

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The recent group exhibition at Pékin Fine Arts alludes to a bestselling book of the same title in the United States last year. The book identifies how “gadgets”—handheld electronic devices, particularly smartphones—have effectively hijacked our modes of socialization, constructing a virtual world that has made it difficult to locate the self in our current state…

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LEAP F/W 2023 Little Utopias

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