The canonizing ramps of the Guggenheim rotunda played host to this five-decade retrospective of Korean-Japanese artist Lee Ufan (b. 1936), tracing his prolific career in a chronological and thematic upward spiral curated by Alexandra Munroe. Series of gestural, postminimalist paintings punctuated the hike, while sculptures informed by inherent and enlivened “encounters” among things of different … Continue reading LEE UFAN: MARKING INFINITY