Wang Xingwei’s painting is essentially isolated from the critical establishment. His take on art history starting in the mid-1990s was nothing more than a bone tossed to the critics. In the so-called “narrative” paintings that received the most attention, the repetition of the everyday mixed with literary themes of sex, violence, illusion, and death made…
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REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
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