Cai Guo-Qiang’s work straddles a sometimes-uncomfortable line between spectacle and meaning. The title of his blockbuster solo show at MATHAF in Doha, “Saraab”— which translates from the Arabic as “mirage”— as well as its “explosion event” in the desert nearby are a wholly appropriate allusion— officially, to the subject matter of the works, but unintentionally,…
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REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
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