The greatness of Edouard Manet’s The Execution of Maximilian, according to Georges Bataille, lies exactly in its relationship to the original— Francisco Goya’s El Tres de Mayo 1808— or its inheritance of resistance: the regard for and expression of indifference. “There is no essential difference between him painting the scene of an execution or painting…
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March 23,2016 | Post In LEAP 37
REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37