Within the dim lighting of this exhibition space towers a six-meter-high “construction matrix,” stretching nearly to the ceiling. This semi-circular, domed form is both church- and cave-like, composed of polyhedral forms joined at three separate levels and adorned with Li Shurui’s now trademark black, white, and gray “dot paintings” of varying sizes. These paintings, 106…
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REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
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