Zhao Yao’s latest solo exhibition, “You Can’t See Me, You Can’t See Me,” is an almost total replication of last year’s “I Am Your Night.” It would be easy to take this exhibition as one-time-only event, a disposable strategy; such an opinion would not be baseless. “You Can’t See Me” is a direct attack on…

The title of this year’s Manifesta, “The Deep of the Modern,” has three meanings. The first is related to the setting of the exhibition: the André Dumont coal mining complex in Waterschei, Genk, Belgi…