Illustration by Vanilla.Specially made for the latest issue's feature article "Accent Trilogy: Like Dew, or a Lightning".
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As a rural reconstruction project, the “Bishan Project” has major problems accessing funding. As can be seen from our current resources, going through art projects seems to be the best way to alleviate this problem. I curated the 2011 Chengdu Biennale, and so the Bishan Harvestival joined as part of it, and this way I…

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My hometown is near Putian, Fujian. The village is a little bit like an island: past the Mulanxi river, in the hills, surrounded by mountains. Because the village is in the foothills, there are no fields for farming. It is over 30 kilometers from the sea, so fishing isn’t convenient either. The villagers live off…

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This farmhouse is similar in size to those around it. Its foundation rests on a space of about 10 by 30 meters and sits squarely in front of a field. The outer surface is neatly lined with red bricks, interrupted by evenly spaced openings in the shape of small crosses, standing out among the other…

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JOSH KLINE To the keen eye of a New Yorker, Josh Kline’s work seems very “New York,” but not disdainfully so. Rather, through minimal sculptural works inspired by the aesthetics of the mass-market commodity, Kline highlights and pulls from the idiosyncratic blend of desperation, celebrity, and soul-suckingness that defines what it means to live and…

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LEAP F/W 2023 Little Utopias

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