This Su Wenxiang-curated exhibition possesses a title that immediately conjures an atmosphere of political opposition. Yet the title seems dissociated from the exhibition itself, lingering instead by the gallery entrance, or drifting like a soft cloud above the visitor’s head. During its travels between the mouths of its visitors, it is soon simplified into an…
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REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
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