Illustration by Vanilla.Specially made for the latest issue's feature article "Accent Trilogy: Like Dew, or a Lightning".
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“Film Directors in Correspondence” is a series of film-related exhibition events, each of which explores the work of an outstanding director from different perspectives, and also features the work of another in order to establish a dialogue. The solo exhibition of Chinese director Wang Bing is one of such exhibition, and Wang chose his longtime…

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In trade and economics, the term “positive” is perhaps even more undesirable than its antonym—within the art industry, constantly high on “positivism” (which is essentially no different to fetishism),…

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Light, sound, space, and time effectuate four dimensions inseparable from the fulfilled human sensory experience. The quotidian, however, tends to overlook their existence. Art tends to emphasize it; herein lies art’s ontological value. The more illuminating an artist’s delineations of the contours of these dimensions, the more lauded the artist. Zhang Peili is a very…

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2007 was a busy year for Chinese contemporary art. Looking back, many events of that year resonate today. It was the year that Forbes published an analysis of the five hottest collectible commodities;…

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It is perhaps more appropriate to discuss Hao Liang’s practice within the context of traditional Chinese painting than within ink discourse. Of course, the term “traditional Chinese painting” suggests a national identity that itself originates in cultural anxiety. This anxiety, in both the present globalized context and the history of China’s modernist path as a nation-state, in fact exists…

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When I first mentioned the idea of making a queer cover feature to friends and colleagues, their most common reaction was “you’re going to write about that beverage?” The beverage in question is Qoo, a Coca-Cola product aimed at kids and teenagers originally from Japan and introduced to the Chinese market in the early 2000s….

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Danish artist Danh Vo is currently presenting his first solo exhibition in China, “Danh Vo: We the People,” at Faurschou Foundation in Beijing. On this occasion, LEAP conducted an exclusive interview with the artist that resulted in an in-depth dialogue revolving around Vo’s working methods, the relationship between his personal identity and his practice, the…

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I There are places we end up when we don’t really belong anywhere else. This sense of not-belonging, it is naturally felt by those existing on the fringes of society. There of course is no “outside” o…

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