A recent project at the Staatliche Kunstsammlungen Dresden titled “Supermarket of the Dead” examines the growing prevalence of luxury items among the paper goods traditionally burned for ancestors. In Chinese custom, it is believed that in our departure we are left without worldly possessions and therefore our relations must provide us the necessary accoutrements—food, accommodation,…
Read MoreIn the ten days before and after the Labor Day holiday, Double Fly Art Center—the collective known for its signature brand of absurd slapstick and carnivalesque live events—rehearsed two clamorous pro…
Read MoreThe notion of the curator as artist is not new. In his editorial preface to curatorial studies journal The Exhibitionist, Jens Hoffman pays tribute to Cahiers du Cinema. In the 1950s, André Bazin and…
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