Li Ming, Rendering the Mind, 2017, video still
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What does one talk about when one talks about performance in art? Across an unmistakable recent wave of conferences, special journal issues, and survey exhibitions, performance frames a near-apocryphal field. It clusters together practices that often have more in common through what they lack than through what they share. Perhaps it is the relative marginality…

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Since the 1980s, practices of calligraphy in contemporary art have tended towards a symbolic (and therefore political) presence. In the world of calligraphy, there now seems to be an attempt to liberate the medium from established systems and open up to new modes of writing and visual styles, from the modern approach of Qiu Jian…

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In 2013, Korean-born, New York-based artist Anicka Yi began a trilogy of exhibitions entitled “Denial,” “Divorce,” and “Death,” inspired by human emotions attached to love and heartbreak. Presented as a forensic investigation of these affective, illusive, and hardly measurable states, Yi’s work captures the signs, evidence, and residue of these phases embedded in and transmitted…

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A search for the conditions which construct our reality lies at the center of Alicja Kwade’s work as a sculptor. With consistency, yet a great variety of methods and often traditional materials such as metal, stone, wood, copper, aluminum, glass and everyday objects like clocks, mirrors, lamps, or doors she creates fascinating artworks about the…

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LEAP 47 | Spring/Summer 2018

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