Illustration by Vanilla.Specially made for the latest issue's feature article "Accent Trilogy: Like Dew, or a Lightning".
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  Nearly all media portrayals of Stewart Uoo incorporate one adjective rather prominently: young. Indeed, Uoo, born in California in 1985, took part in a two-person exhibition at the Whitney Muse…

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Beijing is one of the best places in China for access to the plethora of facilities and audiences that can support experimental culture, and arguably has the best set of international connections of a…

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I had just returned home to Los Angeles from a month-and-a-half-long European trip filled with exhibitions, readings, and parties. Two months earlier, I had proposed to the artist Rachel LaBine, my gi…

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In the mid-1990s, Zhou Tiehai and Yan Lei emerged as twin projections of a critical, and controversial, way of thinking about new art in China. “New” contra “old,” which put “new” on one side of a bin…

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In Wang Jianwei’s concept of the “dirty substance,” we find something extremely contradictory: it is a ridge of jagged rock, a reef he happens upon in the mining of his universal thought process—an ob…

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Some 60 pieces of work created or collected by Douglas Coupland are displayed in this exhibition, alongside relevant texts from his most recent book of the same title. The book discuss contemporary human circumstances: among other things, Coupland imagines Workr and Yoo, two apps that collect personal data so as to reshape individual identity. Through…

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