Li Ming, Rendering the Mind, 2017, video still
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In the 1960s, German contemporary music master Karlheinz Stockhausen noted that “the distinction between sound and music disappears.” Perhaps we can open up a discussion of the subtle relationship between sound art and the plastic arts. For a long time, their differences have flaked away through level after level of conceptual framing. But the gap…

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LEAP 47 | Spring/Summer 2018

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