Li Ming, Rendering the Mind, 2017, video still
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There are those who say that if an artist not of the ‘West’ engages with abstraction, conceptual practices, and other approaches generally perceived as descending from the European tradition, they are abandoning their cultural heritage, merely aping the ‘West’ in some sort of cultural cringe, or colonial hangover. Conversely, especially with regard to China, there…

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LEAP 47 | Spring/Summer 2018

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