插画:Vanilla。为本期专题文章《重音三部曲:如露亦如电》特别创作。
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中国艺术界全年热度最高的11月上海艺术季期间,现代传播携手梅赛德斯-奔驰(Mercedes-Benz)推出了亚洲先锋艺术盛典──「当代艺术能量 POWER OF ART」,展开一系列艺术展览及论坛活动,多维度地拓展当代艺术的可能性与开放性对话,促进亚洲艺术交流与创新实践及其国际对话。

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“Wetland” exists in the ambiguity between wet and dry states. Within the designated five-hour duration of the exhibition, its temporary state mirrors a constantly changing wetland; it can disappear at any time but contains the possibility to exist in other forms.

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To invoke the notion of the muse around Juliana Huxtable seems out of fashion. After all, the title was tirelessly anointed to the 28-year-old artist, poet, and DJ as she gradually emerged from various sites across New York’s cultural landscape. The most recent case-in-point: the 2015 New Museum Triennial, in which the audience was confronted with Juliana, a life-size sculpture of Huxtable’s naked body by Frank Benson, exhibited alongside Huxtable’s own poetry and photographic portraiture. Media sensationalism sugarcoated her with the muse appellation and infected almost all of the popular websites and magazines.

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在这个日新月异的世界里悠闲漫步实在是一份奢侈。即使日复一日地辗转于同样的地方,我们依旧总对周遭的事物不假关注。……

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声音艺术从一开始就在主动进入造型艺术领域中另一方不可见的广域,辐射向所有艺术形式,产生出表达维度上新的可能性。而就当代艺术生态层面来说,声音艺术依然是相对“新”而且“鲜”的试验场。声音,这块看不见的“试验地貌”正如活跃的地壳板块,在和当代社会形态的回震之中裂变出未来之声。

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