LEAP 41

 TOP 

030 Lantian Xie: The Abandoned
Text: Zian Chen

034 International Hotels, Native Water
Text: Sylvia Wu

038 Artificial Rainbows: Aichi Triennale 2016
Text: Lai Fei

040 Men behind Camels: the Chojamachi Story
Text: Yoshio Shirakawa

044 The Ideal
Text: Yuri Pattison

052 Speed Show: Drifting Internet Café
Text: Sun Xiaoxing

060 Thu Van Tran’s Raw Material
Text: Jo-ey Tang

064 Floating Lives, Eastern Clouds, A Seaweed Archipelago
Text: MAP Office [Gutierrez + Portefaix]

072 Pontus Hultén, Hon & Moderna
Text: Max Gerthel

 

MIDDLE

98 INDIA INK AND THE NEO-INTERNATIONAL AVANT-GARDE
Text: Mélanie Mermod

104 THE AUTHORITATIVE VOICE IN INK PAINTING, THE SUPREMACY OF THE WEAK, AND OTHERS
Text: Hang Chunxiao

114 NOT REALLY ABSTRACT: THE 1940S IN THE UNITED STATES
Text: Katy Siegel

124 CÉZANNE AND HUANG BINHONG: A ROAD TO MASTERY FOR CHINESE AND WESTERN MODERNIST PAINTING
Text: Shen Yubing

132 THE MOVEMENT-IMAGE AND THE ROAMING GAZE
Text: Jiang Yuhui

140 VOID AIN’T WHAT IT USED TO BE
Text: Dean Rickles

146 GUTAI, “WORLD RELEVANCE”, AND INK
Text: Alexandra Munroe

156 THE ORIGIN OF WATER WRITING AND CALLIGRAPHY
Text: Chen Tong

162 INK ART IN HONG KONG: AN EXPLORATION OF THE FLOATING IDENTITY
Text: Pedith Chan

172 CRISES WITHOUT END
Text: Hao Liang, Liang Shuo, Liang Yuanwei

 

BOTTOM

184 11TH GWANGJU BIENNALE: THE EIGHTH CLIMATE (WHAT DOES ART DO?)
Text: Yujin Min

186 CAPITAL: DEBT—TERRITORY—UTOPIA
Text: Edward Sanderson

188 MAO CHENYU: “PADDYFILM” IN BEIJING
Text: Li Jia

190 OVERPOP
Text: Zhang Hanlu

192 WANG YOUSHEN: DIPLOMATIC RESIDENCE COMPOUND
Text: Su Wei

193 JIANG ZHI: PREDESTINY
Text: Yang Zi

194 YANG MUSHI: ILLEGITIMATE PRODUCTION
text: Han Xinyi

195 EASON TSANG KA WAI: POWERLESS
Text: Wu Mo

196 WONG WAI YIN: WITHOUT TRYING
Text: Chan Sai-lok

197 MANIT SRIWANICHPOOM: FEAR
Text: Bruce Quek

198 ALEX DA CORTE: A SEASON IN HE’LL
Text: Danielle Shang

199 NADIM ABBAS AND TUO WANG: ONLY THE LONELY
Text: Chris Blackmore