To a Chinese audience, the story of contemporary Egyptian history that Moataz Nasr wove through the exhibition was a strange and unfamiliar one. The artist was too focused on links between China and Egypt that transcended the language barrier, from the police barrier at the exhibition entrance to the 32 blue-and-white porcelain vases spread out…
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REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
REAL THINGS AND ACTUAL OBJECTS: THE SURVEY OF CAPITALIST REALISM
March 23,2016 | Post In LEAP 37
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