Xiran Luo for Rooms,commissioned by LEAP F/W 2021
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When the calibrated verbal expressions still assume their roles as the predominant majority to reinforce themselves, how shall we interpret the sense of touching and its absence?

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There are convoluted, bewildering little things everywhere. We are situated in different places, but perhaps can try to chart them at the same time.

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Every self-organizated community needs to confront the tasks of mutual aid and care with urgency. Overwhelmed by structural stress and anxiety, abstract beliefs alone can no longer generate heartfelt connections among us.

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A series of utterly ordinary things – a bulge on the trunk of a wutong tree, rubber gloves hanging from the handlebar of an electric scooter, a waterproof jacket on a washing line, some ethereal glimmers on the fencing around a construction site—that nonetheless inspire a certain uncanny feeling inside us.

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Although deliberate confusion of time implies something too nostalgic for digestion, it calls out a suppressed desire for the ghostly echo of the “past” ringing in “now” and “future.” It also renders various derivative points about being sarcastic with the objects to prefer nature to culture, ornament to function, instinct for death to drive for life, and sex drive to intellectual drive—being pared down to a new cycle of extraction, fermentation, condensation, and transpiration.

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By imagining a “nether world” that is also euipped with economic, political and cultural aesthetic systems, the plea of the artist that “the netherworld should break away from all the domination from the world of the livings” has its relevance winding in our realities.

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