Li Ming, Rendering the Mind, 2017, video still
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A foam machine gushes a massive cloud of soap lather from a black oil barrel in the courtyard. Plastic flowers stick out from a miniature blue Hanjin shipping container in the foyer. A bucket of murky peanut oil, collected from a trendy local restaurant, sits on the floor in a side room; a few shiny…

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How does the body, rationally hijacked by tools, escape the fate of materialization that is such an integral byproduct of modernity? Japanese curator Yuko Hasegawa’s exhibition is an announcement that attempts to deconstruct the tale of a western monopoly on technology in the postcolonial world by showcasing Asian, Middle Eastern, and eastern European artists as…

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LEAP 47 | Spring/Summer 2018

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