Illustration by Vanilla.Specially made for the latest issue's feature article "Accent Trilogy: Like Dew, or a Lightning".
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We met Qiu Xichun and Tang Xin at the company’s head-office near Fuxingmen, Beijing. The differing appearance and manner of these two gives a true impression of the double-life of this extraordinary and an experimental contemporary art space. Taikang has been collecting art since the 1990s; on August 20, it will open “Image/History/Existence: A Celebration…

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One need look no further than de Sade’s salacious masterpiece Justine (1791) to see that his philosophy posits God as a mercilessly evil being. In it, the hapless twelve-yearold protagonist naïvely places faith in the virtuous magnanimity of strangers, all of whom end up either raping, beating, robbing, or otherwise enslaving her. Morality thus bows…

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Landing on the occasion of Berlin-based Korean-born artist Haegue Yang’s solo exhibition at the Zumthor-designed Kunsthaus Bergenz (KUB) in Austria, Arrivals expands beyond solo exhibition catalogue to stand as a catalogue raissoné, a printed compilation of Yang’s creative output from 1994 onward. It is this that forms the bulk of this hefty publication, as a…

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