Photo by Peishan Huang
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TERM

The loose, fluid “sand” and the meandering, shifting “paths” seem to conjure two divergent images that eventually converge. As the special formatting of the Chinese title suggests, this parallel relationship between “sand” and “paths” is made evident in Hu Xiaoyuan’s subtly distanced juxtaposition of the two elements. Through their latent tension, she searches for the traces of individual existence.

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